THE OBJECTIVE EAR
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THE OBJECTIVE EAR •
Another World, Right Next to Us
What a volunteer narrative from Ferentari reveals about care, precarity, and who gets recognized as fully human
Ferentari is often described through statistics: poverty, crime, segregation, school dropout, exclusion.
But statistics are not the only way inequality becomes visible.
Sometimes it appears in a much smaller scene: waking up at 6 a.m. to make sandwiches. Sitting around a table. A teenager complaining through most of a cinema trip, then quietly resting his head on someone’s shoulder.
Those moments were what interested me in a cultural case study I wrote about a 2022 volunteer narrative published by Asociația Casa Bună, an NGO working with children from Ferentari. Rather than treating the text as a report on poverty, I read it as a narrative about personhood: how certain lives become recognizable, valuable, and emotionally legible to people who would otherwise encounter them only through stereotypes.
The distance is not really geographical
One of the most striking lines in the narrative describes Ferentari as “another world”, despite being physically next to the rest of Bucharest.
That image stayed with me.
The distance between these “two worlds” is not measured in kilometres. It is social and perceptual.
The text describes people living in their own “bubbles”, able to remain physically close to inequality while barely encountering it as a lived reality. In my reading, this is where Judith Butler’s idea of recognizability becomes useful: inequality is not only about who receives fewer resources, but also about whose lives become visible to us as complex, valuable, and fully human in the first place.
A child from Ferentari can be highly visible as a category, “Roma”, “poor”, “problem child”, “from a bad neighbourhood”, while remaining almost invisible as a person.
That distinction matters.
Care is much less heroic than we like to imagine
What I found especially interesting about the Casa Bună narrative is that it does not build care through spectacular acts of charity.
It builds it through repetition.
Cooking. Cleaning. Waking up early. Getting irritated. Being tired. Staying anyway.
One of the most ordinary lines in the text is about waking up at 6 a.m. to prepare ten sandwiches. It sounds almost irrelevant, but that is exactly why it matters. Care appears as work rather than a moral identity. Time. Friction. Routine.
Lauren Berlant’s writing on “inconvenience” helped me think about this.
Being close to other people is not automatically beautiful or transformative. It can be tiring, awkward, frustrating, and unequal.
That does not make care less meaningful. It may actually make it more real.
“Too mature for their age”
Another phrase in the narrative describes the children as “too mature for their age”.
It sounds almost complimentary at first.
But read more carefully, it becomes something much darker.
Children are supposed to be allowed a certain degree of dependence, naivety, and safety. When a child is “mature” because they have learned to expect disappointment from family, the state, society, and other people, that maturity is not really a personality trait.
It is an adaptation.
This is where Butler’s distinction between precariousness and precarity becomes important. Everyone is vulnerable. But vulnerability is not distributed equally.
Some people have institutions, families, schools, neighbourhoods, and social networks that absorb risk.
Others learn to stay permanently alert.
The narrative repeatedly presents guardedness not as a defect in these children, but as a rational response to a world that has repeatedly failed them.
That shift in interpretation is important.
The child is no longer “difficult”.
The more interesting question becomes: what kind of world makes this behaviour necessary?
The cinema scene
The moment I found most powerful in the text happens at the cinema.
One of the teenagers complains about the outing. He says they should have gone somewhere else. The complaints continue for around twenty minutes.
Then, without any dramatic conversation or breakthrough, he rests his head on the volunteer’s shoulder.
She interprets it as a moment in which he “let his guard down and felt safe”.
And then the film ends, and the complaints start again.
That detail is what makes the scene work.
Nothing is solved.
The child is not “transformed”. The volunteer does not rescue him. Structural inequality does not disappear because two people share a moment of trust in a cinema.
And yet something happens.
For a brief moment, the child is not presented as a social problem, a member of a marginalized population, or a beneficiary of humanitarian work.
He appears as one particular person who feels safe enough to lean against someone.
That is a very small event.
But politically, I think it matters.
The limits of care
There is also a danger in narratives like this.
Stories about volunteering can easily become stories about the volunteer: their kindness, their transformation, their realization of how fortunate they are.
The Casa Bună narrative occasionally approaches that territory. The volunteer even describes wanting to “take them all home”.
But the text also acknowledges that this is impossible.
Good intentions cannot substitute for functioning institutions.
Proximity cannot replace housing, education, healthcare, anti-discrimination policy, or long-term political responsibility.
That is one of the tensions I found most interesting.
Care matters, but care is not justice.
Recognizing someone’s humanity does not automatically change the structures that made their life precarious in the first place.
Still, recognition is not nothing.
Seeing differently
I think that is ultimately what this narrative does best.
It does not offer a solution to poverty in Ferentari.
It changes the scale at which the reader sees it.
From “the Roma problem” to one child.
From structural inequality to ten sandwiches at 6 a.m.
From abstract vulnerability to someone resting their head on another person’s shoulder.
The political significance of these moments is not that they resolve injustice.
It is that they interrupt the distance that makes injustice easy to ignore.
Because sometimes “another world” is not actually far away.
It is right next to us.
An ode to new research methodologies in my career
One thing this project changed for me methodologically was how I think about context. I studied political science and was used to approaching research by looking for patterns, categories, and relationships that could be made comparable across cases. Here, close reading forced me to slow down and ask a more basic question first: what does something mean in this particular place, with this particular history?
That mattered especially in the Romanian context, where categories such as “Rroma”, poverty, neighbourhood stigma, care, and even ideas of normal childhood are shaped by long histories of exclusion and public framing. The same gesture, phrase, or narrative could mean something very different if removed from that context.
The shift taught me that understanding culture and history is not an optional layer added after the “real” analysis. It is part of the analysis itself. Before comparing, measuring, or generalizing, research has to understand how people, identities, and problems are already being made meaningful within the world being studied. I’m genuinely excited to merge everything I’ve learned from political science, sociology, anthropology, and cultural studied so far into my next, this time, Development Studies research project.
Opening the Data and Code Behind my Propaganda Accusations Project and an Ode to Open Science
One thing I wanted to avoid with my Bachelor’s thesis was producing a dataset, running the analysis, submitting the PDF, and then letting the entire research pipeline disappear into a folder on my laptop.
So I made the core replication materials publicly available on GitHub.
The repository contains the data collection, coding, analysis, and figure-generation scripts behind my project on the use of “propaganda” as a political accusation in Romanian parliamentary debate between 2000 and 2024.
Repository: https://github.com/andreicaus33/Propaganda_Accusations_Code
What is included?
Two parliamentary scrapers. One scraper collects Senate stenograms from senat.ro, while another scrapes Chamber of Deputies material published through Monitorul Oficial.
The extracted dataset. The raw scraped output contains 41-word snippets centred on the Romanian keyword “propagandă”, covering the period from 1 January 2000 to 31 December 2024. The repository also includes the final coded dataset used for the thesis analysis: 2,498 unique snippets after deduplication and restriction to 2024.
A rule-based coding pipeline. Each snippet is coded across five binary categories: delegitimization, polarization, scapegoating, conspiracy rhetoric, anti-media rhetoric. The full coding rules are documented in the thesis appendix.
The statistical analysis. The repository includes the scripts used for descriptive statistics, logistic regressions, and the OLS model for the broader weaponization score.
Figure generation. A separate script reproduces the figures used in the thesis, making the full path from scraped text to final result transparent.
Why make it public?
For me, open research should do more than allow someone to check whether the same coefficient can be reproduced.
The more interesting possibility is that someone can take the infrastructure and ask a different question.
The scrapers were built around parliamentary archives rather than around one specific theoretical framework, which means the same general approach could be adapted to study other forms of political language: disinformation, corruption, sovereignty, foreign influence, migration, populism, or institutional trust.
The coding pipeline can also be modified. My own framework focused on propaganda accusations, but the broader structure is reusable:
collect political text → define explicit coding rules → validate automated coding against human coding → analyse longitudinal patterns.
That is particularly useful in political communication and computational social science, where large amounts of public text are available but are not always easy to turn into transparent and replicable datasets.
A note on reliability
The automated coding was validated against a 10% human-coded subsample.
Cohen’s κ was:
0.82 for delegitimization
0.87 for anti-media rhetoric
0.74 for conspiracy rhetoric
0.55 for polarization
Scapegoating had near-zero prevalence, making κ effectively degenerate, so that result should be interpreted with caution.
I think this is also an important part of open research.
Making code public should not only mean showing the parts that worked. It should also make the limits of the measurement strategy visible.
Where this could go next
The thesis focused on one term, one country, and one institutional arena.
But the same infrastructure could be extended in several directions:
comparing parliamentary rhetoric across post-communist democracies
studying similar accusations across social media platforms
extending the framework to terms such as “fake news” or “disinformation”
examining who gets targeted by accusations and how those targets shift during crises
linking parliamentary rhetoric to elections, protest cycles, media coverage, or public trust
The thesis is finished.
The research infrastructure does not have to be.
Full repository:
https://github.com/andreicaus33/Propaganda_Accusations_Code
When “Propaganda” Becomes the Argument
What 24 years of Romanian parliamentary debate can tell us about distrust, political boundaries, and the changing language of democratic conflict
In political debates, calling something “propaganda” sounds almost self-explanatory. Someone is lying, manipulating the public, distorting reality. Someone else points this out. End of story. But the more I looked at how politicians actually use the word, the less straightforward this seemed.
Take a simple political disagreement. One politician proposes a policy, another disagrees. In principle, the disagreement can remain about the policy itself: whether it works, whether the evidence behind it is convincing, whether its consequences are desirable. This way, you would think it could only generate debate and facilitate creative ideas about how to bridge ideas on the policy.
Calling the argument propaganda does something slightly different. It raises a more fundamental question: why should anyone listen to this person at all?
The accusation does not only challenge what is being said. It challenges the credibility of the person, institution, newspaper, television station, or political group saying it. That distinction became the starting point of my Bachelor’s thesis.
I analysed Romanian parliamentary debates between 2000 and 2024, looking specifically at instances in which politicians accused someone or something of propaganda. The dataset eventually contained 2,498 cases, collected from the Chamber of Deputies and Senate and analysed using a combination of computational content analysis, descriptive statistics and regression models.
What I initially expected was relatively intuitive: as Romanian democracy became more strained, this kind of rhetoric would become more frequent and more aggressive.
That is not quite what happened.
The surprising part was how little changed
Across almost a quarter of a century, the most consistent feature of propaganda accusations was delegitimization. In 2000-2014, around 81% of the accusations contained delegitimizing rhetoric. In 2015-2024, the figure was still 76.2%. Polarization, conspiracy rhetoric and scapegoating also remained surprisingly stable. Even an overall measure I constructed to capture the intensity of weaponized rhetoric showed essentially no difference between the earlier and later periods.
So the simple story political science could tell: democracy deteriorates, political rhetoric becomes steadily more extreme — does not fit very well.
Instead, accusations of propaganda seem to be a relatively permanent part of political conflict.
Politicians have been doing this for decades. Already in 2003, Romanian parliamentarians accused their opponents of building their own “propaganda institutions”, including newspapers, press agencies, radio stations and television channels. In another parliamentary intervention from the same year, public television itself was described as having become the government’s “propaganda machine.”
The language feels incredibly contemporary — or, side note, you could say that contemporary languages resembles the same conflicts of the past (maybe next analysis from my dataset?). The interesting question, then, is not simply whether politicians accuse others of propaganda more than before.
It is what those accusations are doing.
“Propaganda” turns disagreement into a question of legitimacy
One of the theoretical ideas I found most useful while writing the thesis came from speech-act theory.
The basic argument is quite intuitive: language does not merely describe reality. Sometimes saying something is itself an action. A judge pronouncing someone guilty does not merely describe that person as guilty. A person making a promise does not simply report that a promise exists. The words themselves perform something.
Political accusations can work in the same way. When a politician calls an opposing argument “propaganda”, they are not necessarily offering evidence that the argument is factually false. They are attempting to change its status within the debate. The speaker becomes someone whose claims can be dismissed in advance.
In that sense, propaganda accusations can move political conflict from: “Your argument is wrong.” to: “You are not a credible participant in this argument.”. The opponent has the same reasoning, thus turning democratic dialogue into the vicious cycle of calling others propagandists.
That shift matters.
Democratic politics obviously does not require politicians to trust one another. Conflict, criticism and accusations are normal parts of political competition. But democratic disagreement still depends on some possibility that competing claims can be evaluated as claims. Once political disagreement becomes primarily a struggle over who is fundamentally legitimate enough to speak, the structure of that disagreement changes. And that is exactly what appeared repeatedly in the parliamentary material. Across both periods, propaganda was rarely used as a neutral descriptive category. It operated much more often as a judgment about who should be trusted.
What did change: the target
The clearest quantitative change in the dataset concerned the media.
Anti-media rhetoric appeared in 7.4% of propaganda accusations before 2015 and 10.7% afterwards. In the regression model, the odds of a propaganda accusation containing an anti-media element were approximately 1.5 times higher in the later period.
The numbers themselves are not enormous. But the direction of change is important. Political distrust increasingly moves beyond individual political opponents and toward the information environment around them.
A rival party can be propagandistic. But so can public television. Journalists. News networks. Online media. International institutions. Eventually, entire systems through which citizens receive information can be framed as compromised.
A 2016 parliamentary intervention, for example, accused governing actors of trying to transform Romania’s public broadcaster, TVR, into a “propaganda platform”. More recent parliamentary exchanges contain the same basic logic in much shorter form: “stop promoting PSD propaganda”. The accusation does not necessarily ask the audience to reject one particular story. It can invite them to distrust the channel itself. And once the source of information becomes illegitimate, every future claim coming from it becomes easier to dismiss.
From opponents to systems
The qualitative change becomes even clearer when looking at who counts as the alleged propagandist.
Earlier accusations were often quite concrete.
The government. A political party. A newspaper. A television station.
In the later period, the object of distrust becomes much more diffuse.
Parliamentary speeches increasingly refer to “globalists”, foreign powers, ideological networks, media systems or vaguely defined international actors. One intervention from 2022, for example, claimed that “the globalists fuel the war […] with weapons and mass-media propaganda”. Another described propaganda as coming from “cultural marxism and various globalist mediums”. Whatever one thinks about the political positions involved, structurally these accusations are different from saying that Party X is lying about Policy Y. They describe a political world in which manipulation is systemic. The enemy is no longer necessarily one identifiable opponent. It may be an interconnected network of politicians, journalists, institutions, foreign actors and ideological groups.
This is where propaganda accusations become especially useful for political boundary-making. They help draw a line between an imagined trustworthy us and a deceptive them. That boundary can be partisan, but it can also be national: patriotic Romanians against hostile media, ordinary citizens against global elites, national sovereignty against foreign manipulation. The content changes, but the structure remains surprisingly similar.
Political crises do not create the rhetoric. They activate it
Another thing I found interesting was the timing. The pattern across the 24 years was not one of continuous escalation. Instead, accusations clustered around moments of heightened political conflict and uncertainty.
There were notable peaks around the financial crisis and electoral contestation of the late 2000s, the period of intense institutional and anti-corruption conflict around 2014–2016, and the geopolitical and informational tensions surrounding Russia’s full-scale invasion of Ukraine.
That suggests a slightly different relationship between political crisis and accusatory rhetoric. Crises do not necessarily invent a new political language. They provide conditions in which an already available language of distrust becomes particularly useful.
When political actors are fighting not only over policy but over institutions, national identity, foreign influence or the legitimacy of an entire political order, accusing opponents of being propagandists provides a shortcut. Rather than demonstrating that every individual claim is wrong, an actor can present the source itself as compromised.
Romania makes this word particularly interesting
There is also something specific about studying this in Romania. “Propaganda” is not a politically empty word in a post-communist society.
For decades, propaganda was associated with the state itself: controlled media, political education, official narratives and an authoritarian information environment. That history gives the term a resonance that words such as spin or bias simply do not carry in the same way.
Accusing someone of propaganda can therefore invoke more than ordinary dishonesty. It can associate an opponent with manipulation, illegitimate power and an entire historical model of political communication. And contemporary Romanian politics gives this dynamic an unusually visible stage.
The cancelled 2024 presidential election brought questions of manipulation, foreign influence and information integrity directly into the centre of national politics. Romanian authorities cited intelligence concerning election interference and campaign irregularities when the Constitutional Court annulled the election process; Russia denied involvement.
At the same time, competing political actors themselves described one another’s narratives as manipulation and propaganda. The fight was therefore not only over what was true, it was also over who had the authority to define truth in the first place.
The problem is not that politicians accuse each other
I do not think the conclusion should be that the word propaganda is somehow illegitimate. Propaganda exists. Political communication can be deliberately manipulative. Governments, parties, media organizations and foreign actors sometimes do coordinate deceptive information campaigns. Calling those practices out is necessary.
The problem begins when the accusation itself substitutes for argument. There is an important difference between: “This claim is misleading, and here is why.” and “This is propaganda, therefore it can be ignored.”
The second move is much easier. And politically, it may also be much more powerful.
My findings ultimately point less toward a dramatic rise in hostile rhetoric than toward something quieter: an expansion in the scope of distrust. The basic rhetorical tool has been present for decades. What changes is how far it reaches. From political opponents to journalists. From journalists to institutions. From institutions to international actors. And, eventually, from individual sources of information to the information environment itself.
That is why I think accusations of propaganda deserve more attention within research on disinformation and democratic backsliding.
We spend a great deal of time asking how propaganda spreads.
Perhaps we should also ask what happens when the accusation of propaganda spreads too.
Because once every opponent is a propagandist, every institution is captured, and every inconvenient source belongs to some hidden network, the problem is no longer simply disagreement over facts.
It becomes disagreement over whether there is anyone left whose facts can be trusted.